everyone will tell you its evil to be
a free-thinking pecker like bonnie old me
but ill flex my armies and blow out my gut
and prove ill be loved by any old slut
look here in my wallet, its loaded and true
and now we can leave here
and go and find you
It's hard to know what exactly to say about the many incarnations of Will Oldham's music, the most recent and steady of which is the moniker of Bonnie "Prince" Billy. I remember when I first heard
I See a Darkness a year or two ago. I'd read somewhere that the album was essential, heartbreaking and beautiful. Heartbreak was kind of my bag in those days, and it's safe to say that I was probably playing the Jason Molina solo album on repeat alone in my dorm room crying right up until I got the Bonnie "Prince" Billy album. Anyways, it was one of those things. The title track, which as it turns out is a total revamping of a Johnny Cash song, pretty much left me in shambles. I don't think I recovered until the next morning.
I See a Darkness is probably Oldham's best work, the kind of album fans spend the rest of their lives praying for him to top.
The other night a wonderful thing happened. The new Bonnie "Prince" Billy album
Then The Letting Go was set free on the internets. I, of course, have listened to it three times in the past 24 hours. It is, surprise, fantastic. It's a different approach, but accomplishes the emotional engagement of his past work swimmingly. Relying heavily on strings and the vocal harmonies of a woman quite a lovely voice,
Then The Letting Go is equal parts love and lore. Some songs focus on the yearning for another, while others introduce characters from other worlds experiencing modern human emotions through situations no modern human is experiencing. The songs seem to be more about holding on than letting go, which is sort of a departure from a lot of the previous Billy work, but it doesn't change the level of connectivity between the listener and the musician. At least not for me, but of course music this emotional depends a great deal upon the experiences of the listener for any sort of connection to be made. However, I find it hard to believe that anyone who somehow ends up with this music hitting their ears would not have experiences that would make this music poignant to them.
Highlights include the powerful and tender "Strange Form of Life", the jarringly intense "The Seedling", and the sparse and thoughtful "God's Small Song".
There's little doubt that if I make a top ten list at the end of this year that this will be on it. Hard to believe a guy that looks the way he does makes music the way he does. Though in a way, I kinda dig his look.